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Michael Kenna: A 20 Year Retrospective View larger

Michael Kenna: A 20 Year Retrospective

1590050193

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HK$ 780

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Hardcover, 305 x 330mm, 168 pages, 130 duotone plates.    

In association with its original Japanese publisher, Treville, we are pleased to announce a new printing of Michael Kenna: A Twenty Year Retrospective. The Nazraeli Press edition features a larger format than previous editions, with high fidelity tritones printed 1:1 from original prints. It serves as a companion book to Kenna’s Volume Two, published by Nazraeli Press in 2004. Born in the industrial north of England, Michael Kenna has lived in San Francisco since 1980. His mysterious photographs, often made at dawn or in the dark hours of night, concentrate on the interaction between natural landscape and man-made structures. His work has been shown throughout the United States, Europe, Australia and Japan, and is in such permanent collections as The Bibliothèque Nationale, Paris; The Museum of Decorative Arts, Prague; The National Gallery of Art, Washington; and The Victoria and Albert Museum, London. In her foreword, Ruth Bernhard describes Kenna’s prints as “exquisitely seductive, spiritual experiences, akin to poetry and music.” An essay by Peter C. Bunnell considers Kenna’s background and development, providing a thoughtful introduction to the 130 images that represent the twenty-year period from 1974 to 1994.

Biography

For over thirty five years, British born Michael Kenna has been looking at landscapes in ways quite out of the ordinary. His mysterious photographs, often made at dawn or in the dark hours of night, concentrate primarily on the interaction between the ephemeral atmospheric conditions of the natural landscape, and human-made structures and sculptural mass. Kenna is both a diurnal and nocturnal photographer, fascinated by times of day when light is at its most pliant. Using non digital equipment, his night time exposures can last up to ten hours, and his photographs often record details that the human eye is not able to perceive. 

Kenna’s intimate, exquisitely hand crafted black and white photographic prints reflect a sense of refinement, respect for history, and thorough originality. They have been exhibited in numerous galleries and museums throughout the world and are included in such permanent collections as The National Gallery, Washington, D.C.; The Bibliotheque Nationale, Paris; The Shanghai Art Museum; and The Victoria and Albert Museum, London. Over forty books and catalogs have been published on Kenna's work. 


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